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    showcase the art collection. We spoke with Hannah Carter Owers of Universal Design Studios about the design motivation for the brutalist space, how they redefined the grand hotel concept for modern life, and how Stockholm and its citizens play a central role in its grand designs. And what is the motivation behind these choices? Collectively we agreed on ideas for the larger scale pieces in the lobby and public spaces as we needed to make sure the architecture was accommodating but as far as the actual selection of specific works. Contemporary art, classical Scandinavian design, and sophisticated, thoughtful interiors all come together at Stockholms newest luxury hotel, At Six.


    We also had the existing building and a new rooftop extension to work with where the quality of spaces were really quite different demanding room concepts that could flex, scale and be modified to suit various architectural scenarios. It has a more "global" look, so to say. Universal Design Studio specializes in materials - research and experimentation - and crafted details. . Sune Nordgren has worked as a cultural commentator and art curator for over 40 years. What makes At Six special is that it stands out from the usual "Scandinavian design" interiors prevalent in Stockholm. You mentioned this concept of bringing together an international outlook and attitude while creating an experience grounded in the local area. We have also managed to balance diversity and coherence in the public spaces so the experience as a whole feels tied together all the while offering variety and contrast. Angel Trinidad m, angel Trinidad is the founder of Keen on Walls, a website featuring inspiring interiors, design and spaces. I also really like the calming influence of Mar Whispering, Jaume Plensas.5 metre high marble head situated on our grand staircase. What was the brief for At Six Hotel's interiors? Even the simplest of standard rooms feel luxurious, considered and detailed. Some elements tie the hotel to the city and local area more literally For example the Swedish leather from the Tarnsjo tannery to the north of the city wrapped around the staircase handrail and on the restaurant banquettes, the bespoke. What are your thoughts on this? We also commissioned or customized a number of pieces including a bespoke table hewn from a single tree trunk, bespoke lighting by Atelier Areti and Rubn and a customized marble Tobo Ishi table by our founding Directors Edward Barber and Jay Osgerby. Can you tell us more about the Stockholm elements in the design? We also drew inspiration from the existing architecture of the square, in particular Peter Celsings stone clad Riksbank, and the ancient geology of the city when it came to selecting stone types for the floor and wall cladding of the public spaces. Did you work closely with the art curator? . Based in Amsterdam, she works as a freelance editor, writer and creative strategist and have worked for clients such as Gestalten, frame Publishers, Victionary, Holland Herald KLM and m, among many others. Our starting point for the Lobby, restaurant and bar interior architecture was the stone cladding on one of the other buildings in the square (Peter en stor pik escortpiger i nordjylland Celsings Riksbank). . The building, a brutalist high-rise structure, was originally designed in the 1970s by Swedish architects Boijsen Efervgren, and in our design we tried to humanise the imposing architecture, while also making its unique qualities part of the project. Weve been told that there is nothing that comes close in terms of contemporary luxury hotels in the city which we are proud of but by the same token we feel we have successfully created a place that Stockholmers feel very at home.




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    All of the pieces are by artists already represented in the collection of Petter Stordhalen, the hotel owner so there is a personal connection. She is also the author of 'Scandinavia Dreaming: Nordic Homes, Interiors and Design and co-author of 'Night Fever 5: Hospitality Design'. In keeping with the period of the building, we specified lots of 20th century furniture pieces including re-editions of classic Scandinavian pieces (chairs by Nils Otto Moller, Poul Kjaerholm alongside other classic European design: Perriand, Albini, Scarpa). When we got into the detail we had to work though requirements for each room type, incorporating a mixture of traditional luxury elements (for example a wardrobe long enough to house a Nobel-prize gala dress) contemporary art (hand. We also needed to consider the scale of the head which was a special commission making sure that it worked for people viewing the piece from the ground floor, the first floor and how it felt to move around as people ascended the staircase. What materials were used in the hotel? We are very proud of the hotel in general. The hotel is large - 343 rooms in total and so the brief also asked us to look at a number of typologies and colour ways to create contrast and variation across the floors.